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Concertos Nos. 1~4 from
The Four Seasons
Picture by Lois and Bob Schlowsky, ©Tony Stone Images - taken from cover of Telarc CD83417.
An inktroduction by René Chia Recordings of The Four Seasons literally number in the hundreds. As such, choosing one for investment or for review must necessarily be selective. For this survey of available recordings, upcoming reviews are listed below with those which are available now at the Inkpot. In reviewing these performances, I will of course consider the quality of recording as well as the skill of the performers. In addition, I will highlight and recommend those which show creativity or inventiveness of interpretation. Everyone has his or her favourite movements, and mine is the beautiful "Winter Largo". For each season, I will also look out for the sleeping goatherd and barking dog of Spring , the violin solo storm in Summer, and "The Hunt" in Autumn. Pick your favourite Seasonings and bon appétit ! Note: in all reviews, "Spring I" refers to the first movement of Spring; "Autumn II" means the second movement of Autumn, etc. Couplings in the CDs, if available, are listed but not reviewed. The first name in each entry refers to the violin soloist.
Vivaldi's Four Seasons: A Survey of Recordings
134: 28.12.97; up.28.9.1998 Readers' CommentsFrom: Johann D'Souza (Merton@mbox3.singnet.com.sg) Well one of my favourites is Alan Lovedays no nonsense version with the winter ending off in a climactic climax. He adds a certain touch to his violin few could do when he made the recording with Decca. He is able to bring the loneliness of winter back from the dead. This is done equally well with Nigel Kennedy who has all the theatrics thrown in with his foot tapping the ground and sudden crescendo which make you think that there were major changes to the markings on the piece. However he is terribly exciting and brings a new stand to this very baroque piece. Many people have said that this is a piece that could either scare you into not listening to anything classical or you would just want to hear everything else that Vivaldi wrote. |